Tag Archives: Music

Ranking the Albums: H.E.A.T. (Swedish melodic hard rock)

H.E.A.T is the Swedish rock band that sounds like they were forged in the same neon inferno where all 1980s power chords and Aqua Net fumes go when they die heroes. These guys didn’t just bring back melodic hard rock — they dragged it out of a Delorean, slapped on mirrored sunglasses, and handed it a keytar.

Every song sounds like it should be played over a montage of someone triumphantly fixing a motorcycle in slow motion while fireworks go off behind them. Their choruses are so catchy you’ll accidentally start singing them in the shower, the car, and probably during serious life events like job interviews.

Their lead singer belts with the conviction of someone who just found out the world can be saved through the power of rock, and the guitars shred like they’re in a competition to melt all the ice in Scandinavia.

In short: H.E.A.T is the band you blast when you want to turn a mundane grocery run into a stadium tour — pure, unapologetic, spandex-flavored joy.

He’s right! Lossless audio is NOT what you think

Lossless audio is the promise of hearing every detail exactly as the artist intended—every pluck, breath, and whispered “check, check, one-two” from the recording booth. It’s like someone saying, “Congratulations! You now have perfect sound.” And naturally, you respond, “Amazing! I can’t wait to hear the universe!” Then you press play… and realize it sounds almost exactly like the MP3 you already had.

Suddenly you’re sitting there, squinting at your speakers like they owe you money. You switch back and forth between tracks, convinced the difference is there—has to be there. Your ears perk up, you lean in dramatically… and then you start questioning your entire existence. Is this it? Is this what audiophiles brag about online? Did you just spend $300 on headphones to hear a triangle 0.03% clearer?

Lossless audio is basically the emperor’s new clothes of music formats: technically superior, scientifically beautiful, and a mild emotional letdown when you realize your mortal ears—and that noisy dishwasher in the background—are the real bottleneck.

Dokken CD Collection Run-through

Dokken is the musical equivalent of a can of Aqua Net that learned to shred. They’re what happens when four guys from the ‘80s collectively decide that subtlety is for wimps and that every chorus must sound like it’s being sung from the top of a burning mountain.

Frontman Don Dokken had hair so majestic it probably had its own tour manager, while guitarist George Lynch played solos so fast they could melt the ozone layer. Together, they created an unstoppable force of power chords, falsettos, and enough emotional angst to fill a dozen MTV power ballads.

Their songs were all about heartbreak, rebellion, and occasionally fighting dream demons (thanks to Nightmare on Elm Street 3: Dream Warriors), because apparently Freddy Krueger respected their riffs.

In short, Dokken was that glorious moment in rock history when leather pants, neon lights, and guitar solos longer than your commute all made perfect sense — and we’re better for it.

Vinyl Collecting ticking TIME BOMB – A WARNING for every collector 😲

O noble disc of grooves both black and round,
Thy cardboard sleeve doth smell of musty dreams.
I dig through crates where dusty gems are found,
Each crackle sings of bygone sonic schemes.

The thrill of thrift shops—oh, my beating heart!
A dollar bin may hide a treasure rare.
A polka album? Sure, I’ll call it art—
Even warped jazz can make me stop and stare.

I boast of pressings “first” to all my friends,
Though half my finds sound like a frying pan.
The needle pops, the music squeaks and bends,
Yet still I cheer, a happy vinyl stan.

For digital may sparkle, crisp and clean,
But vinyl hums with ghosts of what has been.

What Are Your Most Played Solo Albums?

Solo albums from popular bands are like when your favorite superhero decides to go off and star in their own spin-off movie — exciting in theory, but sometimes you just end up with “Aquaman: The Extended Guitar Solo.”

Usually, the story goes like this: The bassist, tired of being ignored, suddenly thinks the world is dying to hear his 12-track concept album about medieval farming techniques. The drummer? He releases a record that’s basically 40 minutes of rhythm experiments and somehow calls it “Percussive Journey, Vol. 1.” Meanwhile, the lead singer drops a moody acoustic album, desperately trying to prove he’s not just the guy who screams into the mic — now he also screams into a harmonica.

Of course, every solo album gets hyped as “the real creative vision” behind the band. Translation: “This is what I’ve been annoying everyone with in rehearsal for the last 10 years.” And the reviews? Always polite. Critics write things like, “It’s an interesting exploration of sound” which is code for “We can’t sell this, but we respect your bravery.”

Still, there’s something charming about it. A solo album is basically a musical diary entry we weren’t supposed to read — sometimes it’s brilliant, sometimes it’s awkward, but either way, it proves that even rock gods want a little alone time.

Yes, Cassettes still rule.

Collecting cassettes is like adopting a bunch of tiny plastic pets that constantly remind you how old you’re getting, yet somehow make you feel impossibly cool—like a time-traveling DJ who refuses to update their Spotify. There’s the thrill of rewinding with a pencil (the original fidget spinner), the satisfying clunk when one slots into your Walkman like a key to a nostalgia portal, and the mysterious joy of finding that one mixtape labeled “Road Trip ’94” that turns out to be three Enya songs and your cousin whispering into the mic. It’s impractical, it’s fragile, it hisses at you—but hey, so do most of our best relationships.

Retro Buyer’s Guide: Portable CD Players!

It all started innocently enough — just trying to find a Discman to play that one scratched-up mix CD from high school labeled “Ultimate Feels Vol. 2.” But one late-night eBay scroll turned into a rabbit hole of vintage Sony Discman models, anti-skip bragging rights, and forums full of middle-aged warriors debating whether the ESP Max on a 2001 Panasonic was better than the Mega Bass on a ’98 Aiwa. Suddenly, I wasn’t just reliving my youth — I was negotiating shipping rates with a guy in Slovakia for a translucent blue Sanyo with “futuristic” top-loading action. My family hasn’t made eye contact with me since the “Unboxing of the JVC XL-PG5,” which I filmed in full 4K and narrated like it was a nature documentary.

Now I judge people not by their music taste, but by whether they know that a lid-lock mechanism was the true sign of luxury in 2003. My bookshelf used to hold novels and framed photos — now it’s a shrine to circular plastic marvels that came with belt clips nobody used and headphone jacks engineered to break under a stiff breeze. I listen to CDs like it’s a sacred ritual, holding the player level with two hands like a pizza so the laser doesn’t skip during Track 4 (bonus acoustic version). Sure, Spotify’s easier, but where’s the thrill in that? If your music doesn’t come with the constant threat of sudden silence and AA battery bankruptcy, are you even really listening?

Journey: Restoring Rock & Roll’s Rarest Arcade Game

Ah yes, the Journey arcade game from 1983—proof that someone at Bally Midway stared into the heart of rock ‘n’ roll and said, “What if we turned Steve Perry into a pixelated superhero with a jetpack?” In this fever dream of corporate synergy and neon bravado, you control the actual members of Journey—each represented by hilariously realistic digitized faces slapped onto cartoon bodies—on a mission to recover their stolen instruments across five mini-games. It’s like Mega Man, if Mega Man’s enemies were groupies and his powers were “bass solo.”

Each band member gets their own personal level, from dodging barriers with a flying drum set to platforming on conveyor belts while trying not to look like a floating head on a stick figure’s body. Once all instruments are recovered, the game climaxes with a full-blown concert scene—complete with pixelated fans losing their minds while Journey rocks out. Oh, and it plays real samples of “Separate Ways” on 1980s arcade sound hardware, which sounds like a fax machine trying its best to sing. It’s baffling, bold, and beautiful—a perfect time capsule of when arcade cabinets, classic rock, and utter chaos collided in a haze of synth and denim.

Sharon Osbourne interview with Billy Corgan

Sharon Osbourne is what happens when you mix rock ‘n’ roll chaos with British wit and a handbag that might double as a weapon. As the wife and manager of Ozzy Osbourne, she’s spent decades juggling business deals, reality TV, and the occasional need to remind her husband where he left his sunglasses (probably on his head). But don’t let the posh accent fool you—Sharon is a force of nature, capable of tearing down industry titans, launching biting one-liners sharper than a guitar riff, and still finding time to lavish attention on her beloved dogs.

Whether she’s throwing ham at a neighbor she despises (yes, that happened), calling out nonsense on live TV, or effortlessly roasting anyone who dares cross her, Sharon operates with the energy of a rock concert in human form. She’s been a reality TV icon, a no-nonsense judge on talent shows, and the mastermind behind much of Ozzy’s enduring success—all while maintaining a level of sass that could power the entire city of London. Love her or fear her, one thing’s for sure: Sharon Osbourne is never, ever boring.