Category Archives: Music
If OPETH wrote DREAM THEATER’s “On the Backs of Angels”
Anthrax – What’s In My Bag?
Check out their picks:
Sam Liu & Lauren Montgomery – Batman Year One (DVD) http://bit.ly/2jOHVEE
Dean Martin – The Best Of The Dean Martin Variety Show (DVD) http://bit.ly/2kqc7oN
Patton Oswalt – Finest Hour (CD) http://bit.ly/2kqggJk
Queen – Jazz (CD) http://bit.ly/2jupxjr
Queen – The Game (CD) http://bit.ly/2jurjRE
Queen – News of the World (LP) http://bit.ly/2j2b3va
Nirvana – Nevermind (LP) http://bit.ly/2jWvgl2
Mary Tyler Moore – The Mary Tyler Moore Show: The Complete Seventh Season (DVD) Dean Martin – The Best Of The Dean Martin Variety Show (DVD) http://bit.ly/2kqc7oN
U2 – 360 At The Rose Bowl (BLU-RAY) http://bit.ly/2kfLJyH
Joe Bonamassa – Had To Cry Today (CD) http://bit.ly/2jOSzez
Eric Johnson – Ah Via Musicom (CD) http://bit.ly/2juAlxQ
Eric Johnson – Tones (CD) http://bit.ly/2k0sj3D
Whitesnake – Live at Donington 1990 (DVD)
Joe Bonamassa – The Ballad Of John Henry (CD) http://bit.ly/2kfLbca
Pink Floyd – The Wall Live 1980-81 (CD) http://bit.ly/2kqcwHF
John McLaughlin – My Goal’s Beyond (CD) http://bit.ly/2jOOOpA
Peter Gabriel – New Blood (CD) http://bit.ly/2kfJ5ZO
Rob Crow – He Thinks He’s People (CD) http://bit.ly/2jWEyxC
Opeth – What’s In My Bag?
Judas Priest】 – 「The Hellion / Electric Eye」 GUITAR COVER † BabySaster
🎶 All Guitar tracks played by BabySaster ♪ 🎧 Backing track by BabySaster ♪ 🎸 Schecter Hellraiser C-1 FR 🖥 Positive Grid BIAS Amp + BIAS FX, Toontrack EZdrummer 2, Ample Bass P II, original Vocals
【Ozzy Osbourne】 – 「The Ultimate Sin」 GUITAR COVER (Full Instrumental) † BabySaster
OZZY OSBOURNE – See You On The Other Side LP Box Set
For the first time in his solo career, Rock and Roll Hall of Fame inductee and Grammy®-winning singer and songwriter OZZY OSBOURNE will be celebrated with the first-ever definitive vinyl collection of all his original solo material. Due out Friday, November 29 on Sony Legacy, the box set is titled SEE YOU ON THE OTHER SIDE and includes:
VINYL: 173 songs total on 16 albums, each of which is 150-gram, hand-pressed multi-colored splatter vinyl, making each pressing unique. Many of the albums are previously unavailable or are currently out of print on vinyl. The collection also includes Flippin’ The B Side, a new collection of non-album tracks, which has never been pressed to vinyl. In addition, Black Rain, Down to Earth and Scream have never been pressed in the U.S., while No More Tears was remastered from the original flat analog album masters and is offered as a two-LP set which will allow the album’s songs to be uncompressed for the very first time ever on vinyl. (Full list of albums is below.) ART: 10 newly designed 24”X36” posters (including some never-before-seen images) each accompany the 10 studio albums released between 1981-2010. AR: Twelve AR (Augmented Reality) experiences will be included throughout the package. Additional details will be announced in the coming weeks.
SIGNED CERTIFICATE: Each collection features an individually numbered vellum certificate of authenticity hand-signed by OZZY. “This one’s the most elaborate collection so far,” OZZY says. “It’s very well thought-out and well put together. It’s got everything in there that you possibly could want and some surprises along the way. The sound of a vinyl record is different, and I do believe that vinyl sounds better.”
The full list of vinyl (all of which contain the original track-listings) is as follows: Blizzard Of Ozz, 1980 Mr. Crowley (EP), 45 RPM 1980 Diary Of A Madman,1981 Bark At The Moon, 1983 The Ultimate Sin, 1986 Tribute (2 LPs), 1987 No Rest For The Wicked, 1988 Just Say Ozzy (EP), 1990 No More Tears, 1991 Live & Loud (3 LPs), 1993 Ozzmosis (2 LPs), 1995 Down To Earth, 2001 Live At Budokan, (2 LPs) 2002 Black Rain (2 LPs), 2007 Scream (2 LPs), 2010
Why disco made pop songs longer
In the early 1970s, a musical sensation took over New York City. It was called Disco. Before Disco became synonymous with Saturday Night Fever, Rod Stewart, and celebrity-fueled parties, it was an underground movement powered by the innovations of young DJs challenging themselves and each other to throw the city’s most adventurous dance parties. By 1973, their influence as musical taste makers became apparent, and a handful of unconventional dance tracks became pop crossover hits. With barely any radio airplay, songs like “Love Theme” and “Girl You Need a Change of Mind” became defining tracks of the disco era. These songs were repetitive, hypnotic, and funky, and they were also pretty long compared to other pop hits. That presented a problem for DJs using 7-inch 45rpm singles, which fit only 3:30 minutes of quality audio on them, during their night-long sets. They needed a vinyl record that could make their most popular tracks sound powerful on a dance floor and last the whole night. In 1976, an accidental studio discovery by Disco pioneer Tom Moulton provided the solution: A 12-inch single. By stretching one song across 12 inches of vinyl, a format typically reserved for full-length albums, those extended dance tracks had room to breath. By the 1980s, the 12-inch single dominated pop music. It not only changed the sound of records, it allowed for music producers to experiment with length and structure.