The birth of evil is explored in a surprisingly good legacy prequel to the 1976 horror classic The Omen.

“The Omen,” directed by Richard Donner (of Superman the Movie 1978 fame), is a chilling horror film that follows American diplomat Robert Thorn and his wife, Katherine, who unknowingly adopt a young boy named Damien after their own child dies at birth. As Damien grows older, disturbing events begin to unfold, hinting at his sinister and supernatural nature. When a series of tragic deaths surround Damien, Robert delves into the dark secrets surrounding his son’s true identity, discovering that Damien is the Antichrist destined to bring about the apocalypse. Filled with ominous atmosphere, unsettling imagery, and a haunting score by Jerry Goldsmith, “The Omen” is a timeless classic that remains a pinnacle of the horror genre, leaving audiences gripped with fear and fascination.

David Fincher is a visionary director known for his meticulous attention to detail, dark storytelling, and innovative visual style. Emerging in the 1990s, Fincher quickly gained recognition for his work on films like “Se7en” and “Fight Club,” which showcased his knack for crafting gripping narratives that delve into the complexities of the human psyche. His films often explore themes of existentialism, alienation, and the darker aspects of modern society, drawing audiences into immersive worlds filled with suspense and intrigue. Fincher’s distinctive visual aesthetic, characterized by moody lighting, sleek cinematography, and meticulously composed shots, creates an atmosphere of tension and unease that is unmistakably his own.

Beyond his feature films, Fincher has also made significant contributions to television, directing and producing acclaimed series such as “House of Cards” and “Mindhunter.” His work in television demonstrates his ability to adapt his cinematic style to the episodic format while maintaining the same level of quality and intensity that defines his films. Known for his perfectionism and rigorous approach to filmmaking, Fincher is a director who consistently pushes the boundaries of storytelling and visual artistry, leaving an indelible mark on the world of cinema.

In/Frame/Out – “Grindhouse” should have been a sure thing. A collaboration between two of cult cinema’s most prized auteurs and a double-feature throwback full of schlock horror and tongue-in-cheek charm. So, was it any good, why did it fail, and what’s grindhouse?

Prey comes along at a time when Predator fans are – rightly – wary of any new addition to the franchise. The Alien vs Predator movies were abysmal, while Predators, a promising entry, utterly lacked the horror that distinguished the series and featured bland leading characters. As for Shane Black’s The Predator – the less said, the better. Dan Trachtenberg’s Prey gets a Hulu debut this week after premiering at Comic-Con. Do we finally have a Predator film that can at least live up to the underrated second film, never mind the iconic original? We’ll give you the scoop with our Prey movie review!